Light, Shoot and Retouch It in a Green Screen Studio

Since the creation of motion pictures, filmmakers did well in fabricating a world of fantasy by combining live action and visual effects. In the process, viewers are fascinated and they tend to ask about lighting, background and shooting materials. From The Matrix to Lord of the Rings to Sin City, special methods were done to show scenes that can’t be shot in a normal, real-world environment.

The art of visual illusion by the use of a green screen studio has been a reserved luxury for major movie makers. This technology is the backbone of modern film production. Unaware we are, this process happens daily on a weather forecast. From the darkroom ages, movie production has changed forever, bringing us now composite and believable images.

What is a Green Screen Studio?

Let us define first this kind of technology. In this neo-digital age, it uses a literally green screen and is just a simple way to tell the camera to replace everything it sees as green with whatever you (the director) want. Basically, a studio of this type of technology – light, shoot and retouch a scene the way you want it to be shown.

Rent or Build

As a director, you may get into this hard-hitting query whether you should rent or construct your own green screen studio. Well, there is no right answer, but certain factors can help you decide.

First, if you can pay for the rental and they go well with your requirements, renting one is generally the best you can do. In this way, it will be easier for you to get the scene you want. Different manufacturers also offer different shades of green too.

The second factor is what you’re going to use it for. Are you using it to temporarily delete few buildings, vehicles or poles from a shot you think unusable? Or are you going to completely delete natural landscapes? For the first purpose, you’re likely to be buying collapsible green screens. As the name suggests, this can be taken down or put up with minimal efforts. That makes them commendable for removing few backgrounds but leaving the rest.

The third factor is whether you want it to be a diminutive part of one film or a permanent constituent of your filmmaking selection. If you are going to do a lot of green screen work, you must seriously think about building your own green screen studio. When you’re done, you can place your actors in a virtually created environment.